Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

Photographs depict mosaics that were cleaned and conserved by Ernest J.W. Hawkins in collaboration with the Department of Antiquities in Cyprus and with the support of Dumbarton Oaks, ca. 1974.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

The second series contains one hundred and five (105) color photographic prints that were made from Eliopoulos’s personal collection of color slides. All photographic prints in this series have been signed by the photographer on the verso. Please refer to the collection inventory spreadsheet for descriptive information.

Scope and Contents:

Between late 1940's and 1950's, the staff of the Byzantine Institute started conservation and restoration work in Kariye Camii and Hagia Sophia at the same time. They divided their work day between the two sites.

Scope and Contents: This series documents the conservation, restoration, survey, and research that were conducted by the Byzantine Institute and Dumbarton Oaks fieldwork directors and staff, including Thomas Whittemore, Paul Underwood, Nicholas Kluge, Richard A. Gregory, Ernest Hawkins, and others. The contents contain fieldwork notebooks, research and bibliographic notes, drawings, sketches, charts, and ground plans from the fieldwork projects conducted in the following locations: Egypt, Turkey, Republic of...

Scope and Contents: This series documents the conservation, restoration, survey, and research that were conducted by the Byzantine Institute and Dumbarton Oaks fieldwork directors and staff, including Thomas Whittemore, Paul Underwood, Nicholas Kluge, Richard A. Gregory, Ernest Hawkins, and others. The contents contain fieldwork notebooks, research and bibliographic notes, drawings, sketches, charts, and ground plans from the fieldwork projects conducted in the following locations: Egypt, Turkey, Republic of...

Scope and Contents:

Materials relating to fieldwork projects at the Church of Panagia Amasgou at Monagri, Cyprus and at Dibsi Faraj, Syria

Scope and Contents: This series documents the conservation, restoration, survey, and research that were conducted by the Byzantine Institute and Dumbarton Oaks fieldwork directors and staff, including Thomas Whittemore, Paul Underwood, Nicholas Kluge, Richard A. Gregory, Ernest Hawkins, and others. The contents contain fieldwork notebooks, research and bibliographic notes, drawings, sketches, charts, and ground plans from the fieldwork projects conducted in the following locations: Egypt, Turkey, Republic of...

Scope and Contents:

Sketch of a Byzantine garden plan likely created by Mildred Bliss while traveling in Constantinople.

Scope and Contents: The Dumbarton Oaks Garden Archives is a collection of over 6278 individual items of textual materials, drawings, and photographs that document the creation and development of the Dumbarton Oaks Garden, Washington, D.C. between 1920-1979. Robert Bliss and Mildred Barnes Bliss purchased the 53 acre property in 1920 known as "The Oaks" and later as Dumbarton Oaks, and within a year they hired Beatrix Farrand, a landscape gardener, to design a garden for the property that combined French,...

Scope and Contents:

Typescript letter with handwritten signature from Beatrix Farrand to John Thacher asks what he thinks about the addition of Robert W. Patterson, a Harvard educated landscape architect to work with her and who would make more frequent inspections of Dumbarton Oaks.

Scope and Contents: This series documents the conservation, restoration, survey, and research that were conducted by the Byzantine Institute and Dumbarton Oaks fieldwork directors and staff, including Thomas Whittemore, Paul Underwood, Nicholas Kluge, Richard A. Gregory, Ernest Hawkins, and others. The contents contain fieldwork notebooks, research and bibliographic notes, drawings, sketches, charts, and ground plans from the fieldwork projects conducted in the following locations: Egypt, Turkey, Republic of...